Daily Lectures - free Guided Tour of the Exhibition Jeff Wall: Exposure
Time: 6 p.m.
Lunch Lectures - Wednesdays, 1 p.m.
The lunch lecture - a special kind of lunch break - offers an inspiring encounter addressing a specific theme in the exhibition and is followed by a lunch buffet.
Admission: € 9 / reduced: € 7
Jeff Wall and Neorealist Cinema
Alexandra Heimes
07.11.2007, 16.01.2008
Pictures of Everyday Life? Formal Contradiction in the Work of Jeff Wall
Dr. Beate Zimmermann
14.11.2007, 26.12.2007
Strategic Irritation and the Concept of Universalityin Jeff Wall’s Oeuvre
Dr. Melanie Franke
21.11.2007, 12.12.2007
On the Art-Historical References in Jeff Wall’s Oeuvre
Vivian Kea
28.11.2007, 02.01.2008
Jeff Wall: New Works
Katja Sander
05.12.2007, 09.01.2008
Brunch Lectures - Sundays, 11:30 a.m.
Each tour focuses on a special aspect of the exhibition. Afterwards brunch at the Café.
Admission: € 12 / reduced: € 9
Staged Reality:The Field of Tension Between Documentation and the Snapshot,
Katja Sander
04.11.2007, 23.12.2007
“Painting of Modern Life” – Artistic and Art-Historical Allusions in the Works of Jeff Wall
Vivian Kea
11.11.2007, 09.12.2007, 30.12.2007
The Conception of Images in the Work of Jeff Wall,
Dr. Beate Zimmermann
18.11.2007, 20.01.2008
Formalism in Photography,
Alexandra Heimes
25.11.2007, 16.12.2007
What is Real? – On the Role of Staging in Jeff Wall’s Photographs,
Dr. Melanie Franke
02.12.2007, 06.01.2008, 13.01.2008
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SPECIAL EVENTS
03.11.2007, 11:30 a.m.
Jeff Wall - Artist’s Talk
The curator of the show, Jennifer Blessing, talks with Jeff Wall about his new works and the exhibition concept of Exposure.
The tour will be held in English.
06.11.2007, 4 p.m.
10 Years of Commissioned Works for Deutsche Guggenheim, a film serie
Thirteen commissioned works have been created in the past ten years for the exhibition hall Unter den Linden. These include works by Jeff Koons, Bill Viola, Gerhard Richter, Hanne Darboven, Phoebe Washburn and now Jeff Wall. The Deutsche Guggenheim will present a film series dedicated to the works of the thirteen artists. Some contributions are in English.
17.01.2008, 7 p.m.
Cinematographic and photographic moments in Jeff Wall's work, lecture by Prof. Dr. Gregor Stemmrich
Gregor Stemmrich has been teaching at the Hochschule für Bildende Künste, Dresden since 1999. In his research, the art historian examines cinematographic approaches in art. His publications include Jeff Wall. Szenarien im Bildraum der Wirklichkeit and Kunst/Kino.
FILM PROGRAM
In his photographic works, Jeff Wall not only refers to cinema in general, but makes direct parallels to the history of neorealist film. With reference to his exhibition Exposure, the Canadian has compiled a special film program that will be screened in co-operation with the Kino Arsenal.
09.12.2007 - Nicht versöhnt oder Es hilft nur Gewalt wo Gewalt herrscht, 1965, 7 p.m.
Director: Jean-Marie Straub
Location: Kino Arsenal, Potsdamer Str. 2, 10785 Berlin
Informationen under (030) 26 95 51 00
15.12.2007 - La Maman et la putain, 1973, 7 p.m.
Director: Jean Eustache
Location: Kino Arsenal, Potsdamer Str. 2, 10785 Berlin
Informationen under (030) 26 95 51 00
13.01.2008 - Fat City, 1972, 7 p.m.
Director: John Huston
Location: Kino Arsenal, Potsdamer Str. 2, 10785 Berlin
Informationen under (030) 26 95 51 00
19.01.2008 - Die Bitteren Tränen der Petra von Kant, 1972, 7 p.m.
Director: Rainer Werner Fassbinder
Location: Kino Arsenal, Potsdamer Str. 2, 10785 Berlin
Informationen under (030) 26 95 51 00
16.01.2008 - 7 p.m.
Presentation of the artist portrait Contacts: Jeff Wall by Jean-Pierre Krief, 2002, as well as Fassbinder’s Die Bitteren Tränen der Petra von Kant
Location: Lichtburg-Forum Berlin, Behmstraße 13, 13357 Berlin
Informationen under (030) 49 98 81 51 or at info@lichtburgforum.de
For reservations please call (030) 20 20 93-11
If not specified otherwise, all events will be in German and take place at the Deutsche Guggenheim.
During the exhibition, Jean-Pierre Krief’s artist portrait Contacts: Jeff Wall will be on view in the Deutsche Guggenheim SHOP.
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